"In the mid-90’s, during an auction from an old school, I purchased 3 metal lockers and to my surprise one of them held a real, full size articulated skeleton. For years I had it displayed in one of the rooms in my studio and I often wondered what else I could do with it. Finally the idea came to me to explore the idea of disassembling the skeleton and rearranging the bones, and from that process came the series “Stop the Violence”. I spend a lot of time on my knees arranging bones.”
–Francois Robert
"The human skeleton is a powerful visual symbol. It’s come to represent the “remains”, what’s left after life has ended, after the flesh and mind cease to function. In my photographs, I use the human skeleton as the formal visual element, the subject of the image. In this manner, the skeleton is both the protagonist and antagonist (the Buddhist notion about, “the duality of man” seems apt).
For each photograph I disassemble the modular system of the skeleton and reconfigure the elements to form a new image. These images are man made. Images of aggression, images that cause suffering, devastation and conflict. I intend the images to plant the notion of restraint and charity in an effort to promote peace and tolerance."
Francois Robert
–Francois Robert
"The human skeleton is a powerful visual symbol. It’s come to represent the “remains”, what’s left after life has ended, after the flesh and mind cease to function. In my photographs, I use the human skeleton as the formal visual element, the subject of the image. In this manner, the skeleton is both the protagonist and antagonist (the Buddhist notion about, “the duality of man” seems apt).
For each photograph I disassemble the modular system of the skeleton and reconfigure the elements to form a new image. These images are man made. Images of aggression, images that cause suffering, devastation and conflict. I intend the images to plant the notion of restraint and charity in an effort to promote peace and tolerance."
Francois Robert
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