Shonibare explores issues of race and class through a range of media that includes sculpture, painting, photography, and installation art. A key material in Shonibare's work since 1994 are the brightly coloured 'African' fabrics (Dutch wax-printed cotton) that he buys himself from Brixton market in London. "But actually, the fabrics are not really authentically African the way people think," says Shonibare. "They prove to have a crossbred cultural background quite of their own. And it’s the fallacy of that signification that I like. It’s the way I view culture—it’s an artificial construct."